Music I've been into

date: 2018-01-20
revised: 2018-12-15

I also have a hype machine account with a finer grained listening history, but I feel this page gives a more authentic recollection.

(Songs are contemporary unless specified.)

Fall 2018

Summer 2018

Spring 2018

Winter 2018

Fall 2017

Summer 2017

Spring 2017

Winter 2017

Fall 2016

Summer 2016

Spring 2016

Winter 2016

Fall 2015

Summer 2015

Spring 2015

Winter 2015

Summer 2014

Spring 2014

Winter 2014








2005 and earlier


Why keep this record?

Could this page incorporate other media? Illustrations, for example? (Nope, see my art log.)

Lastly, isn’t keeping track “hand rolled” sort of tedious? Well, in this way I’m encouraging myself to pay attention to the music/art I surround myself with, as historically I’ve had really wild psychic entropy listening to both EDM music and visual art.

Doing it by hand for now is fine; it will be harder to get lost in Diplo/Galatica for 6 months.

Erkennen wir in der Tragödie einen durchgreifenden Stilgegensatz: Sprache, Farbe, Beweglichkeit, Dynamik der Rede treten in der dionysischen Lyrik des Chors und andrerseits in der apollinischen Traumwelt der Scene als völlig gesonderte Spren des Ausdrucks aus einander.2

We find in tragedy an unmanagable contrast of style: speech, color, flexibility, the power of telling manifest in the dionysian lyric of the chorus and, on the other hand, in the apollonian dreamworld of the scene, as totally separate spheres of expression.

  1. Terence McKenna, the “Timothy Leary of the ’90s”. 

  2. Nietzsche, Die Geburt der Tragödie, 1886